Sup @peasantstatus?

Via alwaysnevernyc.

Saul Bass had some poignant thoughts:

I don’t give a damn whether the client understands if that’s worth anything or that the client thinks it’s worth anything or whether it is worth anything; it’s worth it to me — it’s the way I wanna live my life ; I wanna make beautiful things — even if nobody cares.

Thanks, Samuel.

Wonderwall has a portfolio of all their interior designs. There’s a lot of Bape.

Via @mlproject.

The Citroën Karin was a concept car from the 1980 Paris Motor Show. If it had an extra-large exhaust, I would have mistaken it for a F-Zero model replica.

By Martin Plonka.

I’m really stoked for Art & Copy, a documentary exploring the history behind some of the most infamous creative advertising in the modern age.

“We’ve been using that font for years,” says Peter Phyo, a manager at O’Neals’ restaurant across the street from Lincoln Center in Manhattan. “That is just the procedure. I wouldn’t know the exact reasoning. It also looks nice on the menu.” Mr. Phyo says he hasn’t had any complaints.

This is somewhat akin to Papyrus, which is quite popular among storefront signs and awnings.

Thanks, @canice.

The Tenori-on is a musical device created by Toshio Iwai that implements a grid of LED switches that create organic music. You can try a version of it yourself with the Tone Matrix. Not as complex, but still fun nonetheless.

A periodic table of typefaces.

Via @ordo and This Branded Youth.

Traces of an Imaginary Affair is an emergency kit created by Björn Franke to simulate evidence of an affair.

These tools leave marks on the body, such as bite marks, carpert burns, bondage marks, love bites, scratches and bruises. In addition, probes of perfume, lipstick and haïr can be applied to either the body or clothes.  It was inspired by stories of people who used to fake évidence of victimisation or illnesses to receive attention from others.

Via Dezeen.

Mike Ley, a designer from Brooklyn, has spearheaded a small ‘zine project with users from Superfuture. I just put in my order. Please check it out. You get a westside button for your troubles too.

Taken in December of 2007, on my way to Take5, one of the best denim stores ever.

Some of those commenting described the new packaging as “ugly” or “stupid,” and resembling “a generic bargain brand” or a “store brand.”

Mostly I remember how I didn’t realize how expensive orange juice was until I lived in on my own in New York for a bit. It became an issue of trips to the supermarket, finding the two-for-one deals, then looking at the packaging to see if it looks at all remotely like something that would taste good. The new packaging makes it infinitely harder to decide between a brand name and no-name generic orange juice.

Via Brand New.

Psychedelic, but not quite functional on an everyday level, fonts by Just–My–Type™.

Via DesignNotes.