Apple’s new iPhone 4 features a front-facing camera for video calling. It’s called “FaceTime.” If mobile platforms are slowly encroaching upon multimedia — first with cameras and now with video — how will the psychology of communication evolve?

And the videophonic stress was even worse if you were at all vain. I.e. if you worried at all about how you looked. As in to other people. Which all kidding aside who doesn’t. Good old aural telephone calls could be fielded without makeup, toupee, surgical prostheses, etc. Even without clothes, if that sort of thing rattles your saber. But for the image-conscious, there was of course no such answer-as-you-are informality about visual-video telephone calls, which consumers began to see were less like having the good old phone ring than having the doorbell ring and having to throw on clothes and attach prostheses to do hair-check in the foyer mirror before answering the door.

But the real coffin-nail for videophony involved the way callers’ faces looked on their own TP screen, during calls. Not their callers’ faces, but their own, when they saw them on video. It was a three-button affair, after all, to use the TP’s cartridge-card’s Video-Record option to record both pulse in a two-way visual call and play the call back and see how your face had actually looked like to the other person during the call. This sort of appearance-check was no more resistible than a mirror. But the experience proved almost universally horrifying. People were horrified at how their own faces appeared on a TP screen. It wasn’t just ‘Anchorman’s Bloat,’ that well-known impression of extra weight that video inflicts on the face. It was worse. Even with the high-end TPs’ high-def viewer-screens, consumers perceived something essentially blurred and moist-looking about their phone-faces, a shiny pallid indefiniteness that struck them as not just unflattering but somehow evasive, furtive, untrustworthy, unlikable. (147)

But combine the natural entrepreneurial instinct to satisfy all sufficiently high consumer demand, on the one hand, with what appears to be an almost equally natural distortion in the way persons tend to see themselves, and it becomes possible to account historically for the speed with which the whole high-def-videophonic-mask thing spiralled totally out of control. Not only is it weirdly hard to evaluate what you yourself look like, like whether you’re good-looking or not — e.g. try looking in the mirror and determining where you stand in the attractiveness-hierarchy with anything like the objective ease you can determine whether just about anyone else you know is good-looking or not — but it turned out that consumers’ instinctively skewed self-perception, plus vanity-related stress, meant that they began preferring and then outright demanding videophone masks that were really quite a lot better-looking than they themselves were in person. (Wallace 148)

Taken from an earlier quote-post for my reading of Infinite Jest.